I’ve always been inspired by things beyond myself. I love feeling small, at the bottom of a mountain, or swallowed up by the deep, sacred belly of a performance space. I like organising encounters, knowing that afterwards they will go well beyond me, because that’s what I’m looking for in my creations.

In my previous work, I opened up fragmented spaces, inspired by the many American circus rings, in which I encountered objects bigger than myself (the Donut, the stepladder, etc.). I’m now continuing this work by directly transforming the protagonist’s body, his relationship with gravity and his physicality. To do this, I continue to dip into a bank of prosthetic objects that complement the bodies.

These encounters give rise to sounds and silences: my approach is both musical and choreographic. I owe this to my culture of performance and experimental music. I invite the audience to join me in a quest for perception and sensations between a mosaic of movements and a symphony of sounds.